
A pop-culture essayist drives across America visiting sites where rock stars died, using their deaths to examine what music means to the living.
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Sixty-six short essays on songs by other people, from Stephen Foster to Elvis Costello, each with a riff on what the song is really about.

Keith Richards tells the story of the Rolling Stones with the same raw energy he brought to the guitar.

Dylan's memoir, which skips from his arrival in Greenwich Village in 1961 to the making of New Morning and Oh Mercy, and back to his Minnesota boyhood.

A novel in linked chapters that leaps through decades and forms, one of them a PowerPoint presentation, following a record executive, his kleptomaniac assistant and the people around them as time changes everything.

At fifty-eight Steinbeck sets out in a camper truck with his French poodle, Charley, to rediscover the America he had been writing about, coast to coast and back.

Sedaris on quitting cigarettes by moving to Tokyo for three months, on domestic life with Hugh in Paris and Normandy, and on the neighbours, strangers and medical complaints that keep finding him.

Sedaris on his obsessive-compulsive childhood in Raleigh, hitchhiking, apple picking with strangers, a summer at a nudist colony and his mother's last years, the book that made his name.

Patti Smith remembers her years with Robert Mapplethorpe in New York, from the Chelsea Hotel to their first successes, two young artists holding each other up through hunger and ambition.

Essays on state fairs, cruise ships, tennis, and television that reveal the absurdity and melancholy hiding in American entertainment culture.

After her husband's sudden death and her daughter's hospitalisation, Didion keeps a forensic record of what magical thinking her grief conjures and what it refuses to.

Hua Hsu remembers his friendship with Ken at Berkeley in the 1990s, zines, mixtapes and arguments about what was cool, and the random act of violence that ended it.

Murakami and the conductor Seiji Ozawa listen to recordings together and talk about Mahler, Beethoven and Ozawa's apprenticeships with Bernstein and Karajan.